This Christmas season promises a cinematic explosion as highly anticipated films, “Dunki” and “Salaar,” prepare to face off in theaters. Shah Rukh Khan’s “Dunki” and Prabhas’ “Salaar: Part 1 – Ceasefire” have both staked their claim on December 22 as the day of reckoning.
An Intriguing aspect of this clash is the marketing strategy, with whispers of “Dunki” and “Salaar” adopting tactics reminiscent of “Barbenheimer.” “Barbenheimer” influence on how “Dunki” and “Salaar” are being promoted is generating considerable buzz.
The road to December 22 hasn’t been straightforward for “Salaar.” Initially scheduled for a September 28 release, technical issues intervened. VFX work remains incomplete, with approximately 600 shots pending delivery to the “Salaar” team. Additionally, the decision to reshoot parts of the climax added to the delay.
Meanwhile, “Dunki” has discreetly marked the same date for its release. The film marks a significant milestone as it signifies Shah Rukh Khan’s first-ever collaboration with the acclaimed director Rajkumar Hirani.
Read about the Ultimate showdown of Show Business.
The clash has ignited passionate debates on platforms like Reddit. Some voices have criticized the “Salaar” makers for changing the release date abruptly, deeming it unprofessional. Concerns have been raised about the potential impact on both films, with speculations on how a similar move by the “Dunki” team might have led to an uproar.
Opinions diverge on the target audiences for these movies. Some argue that the “Salaar” makers may be underestimating Rajkumar Hirani’s broader appeal. His films often attract family audiences, whereas Prabhas and “Dunki” have dedicated fan bases.
The Reddit discussions have taken on a playful spirit, with users suggesting humorous names like “Sanki” or “Dulaar” for the showdown. It’s worth noting that director Prashanth Neel, associated with “Salaar,” has a history of engaging in box office clashes, such as “KGF Chapter 1” vs. “Zero” and the impending “KGF Chapter 2” vs. “Beast.”
In an industry where release dates hold considerable sway, the clash between “Dunki” and “Salaar,” coupled with the intriguing shadow of “Barbenheimer,” has riveted the attention of film enthusiasts and insiders. The outcome of this clash remains highly anticipated, as audiences and critics eagerly await which film will shine during the festive Christmas season.
